For Component 2 students must select a practitioner from the list below.
For Component 3 students must select a different practitioner from the same list.
Practitioner | Active | Broad approach or role |
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Mike Alfreds | Contemporary | Actor centred/truth in performance |
Antonin Artaud | Early 20th century | Theatre of Cruelty |
Steven Berkoff | Contemporary | Expressionism/physical theatre |
Alecky Blythe | Contemporary | Verbatim theatre maker |
Augusto Boal | Late 20th century | Theatre of the Oppressed |
Bertolt Brecht | Early 20th century | Political/epic theatre |
Peter Brook | Contemporary | Wide spectrum of approaches |
Bruiser Theatre Company | Contemporary | Physical/actor orientated |
Alison Chitty | Contemporary | Costume and set designer |
Complicite | Contemporary | Physical theatre |
Paule Constable | Contemporary | Lighting designer |
Gordon Craig | Early 20th century | Designer |
Bob Crowley | Contemporary | Costume and set designer |
DV8 | Contemporary | Physical/verbatim theatre/multimedia |
Declan Donnellan | Contemporary | Director |
Gregory Doran | Contemporary | Director |
Eclipse | Contemporary | Black-led company |
Marianne Elliott | Contemporary | Director |
Polly Findlay | Contemporary | Director |
Dario Fo & Franca Rame | Contemporary | Political/comic theatre |
Forkbeard Fantasy | Contemporary | Multimedia |
Frantic Assembly | Contemporary | Physical theatre |
Gareth Fry | Contemporary | Sound designer |
Gecko | Contemporary | Stylised/physical theatre |
John Godber | Contemporary | Political comedy |
Rupert Goold | Contemporary | Director |
Graeae Theatre Company | Contemporary | Performers with disabilities |
Jerzy Grotowski | Mid 20th century | Poor theatre |
Handspring Puppet Company | Contemporary | Puppetry |
Headlong | Contemporary | Innovative ensemble theatre |
Nicholas Hytner | Contemporary | Director |
Nicholas Kent | Contemporary | Verbatim theatre |
Kneehigh Theatre | Contemporary | Multi-disciplined/storytelling/physical theatre |
Ralph Koltai | Late 20th century | Designer |
Mike Leigh | Contemporary | Character based devising |
Phyllida Lloyd | Contemporary | Director |
David Mamet | Contemporary | Director |
John McGrath | Mid 20th century | Socio-political/site specific theatre |
Vsevolod Meyerhold | Early 20th century | Constructivism |
Bill Mitchell | Contemporary | Site specific theatre, set and costume designer |
Katie Mitchell | Contemporary | Naturalism/multimedia |
John Napier | Contemporary | Sets and costume designer |
Rufus Norris | Contemporary | Director |
Richard Pilbrow | Mid 20th century | Lighting |
Tom Piper | Contemporary | Designer |
Mic Pool | Contemporary | Sound designer |
Propeller | Contemporary | All male company |
Punchdrunk | Contemporary | Immersive theatre |
Malcolm Rippeth | Contemporary | Lighting designer |
Josie Rourke | Contemporary | Director |
Shared Experience | Contemporary | Expressionism |
Rae Smith | Contemporary | Set and costume designer |
Max Stafford-Clark | Contemporary | Political/ensemble theatre |
Konstantin Stanislavski | Late 19th , early 20th century | Naturalism |
Talawa | Contemporary | Black-led company |
Tamasha | Contemporary | Multiculturalism in Britain/British Asian influences |
Julie Taymor | Contemporary | Director, set and costume designer |
Theatre Alibi | Contemporary | Storytelling theatre |
The Paper Birds | Contemporary | Devising theatre company |
Polka Theatre | Contemporary | Children’s theatre |
Deborah Warner | Contemporary | Director |
1927 | Contemporary | Multimedia |